Aes Sedai: Seaine Herimon, Yukiri, Egwene al'Vere and Saerin Asnobar

SPOILER ALERT!


This is a scene from Towers of Midnight, where Egwene confers with three Aes Sedai atop the Tower. Although it is a blink-and-miss-it, boring scene, I found it quite appealing to me as a testament of loyal, senior Aes Sedai accepting Egwene's authority.

From left to right are, Seaine Herimon, Yukiri and Saerin Asnobar. I wanted to get the ageless look right (unidentifiable age between 25 - 40) in contrast to Egwene's youthful face. Maybe you can zoom in and see if I got some of the agelessness right. Oops, careful the file is big, might get your eyes poked!

Egwene actually is NOT my favorite character. I can simply relate to her more with the experience, status, and over-all character development. Like what Siuan said, I actually don't like her - she reminds me too much of myself!

Seaine Herimon, Yukiri, Egwene al'Vere and Saerin Asnobar

Also, earrings depict nationality! Seaine wears a bull's head design, while Yukiri has thin lacy rose earrings. I was supposed to put leopards in Saerin's earrings, but I found it too cougarish, so I settled for daggers with leopard hilts (not entirely visible). Egwene has reddish eagle earrings, and we all know what that conveys :)

I might release separate portraits of the background characters, as I have their parts complete although made invisible by Egwene's presence. Also, no stole. I kinda forgot about it, but settled with the idea that she doesn't need to wear them all the time - especially in a private windy area :D

Aes Sedai: Bera Harkin and Kiruna Nachiman

Yay! I finished my first all-out action scene, and finally uploaded it. However, I think there are a few awkward places, perspectives and sizes that could have been done much better, but I think it's quite alright considering my level of expertise with digital painting.

Here you can see Kiruna Nachiman (left) and Bera Harkin (right), surrounded by three (out of their seven) warders, fighting off the Shaido Aiel, in a scene from the Wheel of Time, Lord of Chaos. I don't think there's a line where they're fighting side by side, as it was a busy Perrin who saw them dropping themselves one by one in the middle of the battlefield, so that they could channel effectively.

Bera Harkin and Kiruna Nachiman

Kiruna Nachiman was said to be queenly, statuesque, and had a commanding presence. Bera Harkin on the other hand, was plain, square-faced and looked like a farmwife who became prosperous. I painted them in somewhat Asian-inspired clothing, as these are quite wonderfully maneuverable even if they are made of silk or any other soft fabric, which I thought was perfect for Aes Sedai. I'm also somewhat getting a little addicted to putting 'nationality earrings' on these Aes Sedai as evident in Siuan Sanche's silverpike earrings..

Kiruna has rose earrings - something of Arafel her homeland, where she was the king's sister. While plain Bera has silver lion heads - a reminder of the white lion of Andor where she came from. I think Bera's short hair and plain face coupled with the opulence of her earrings is a great contrast. Also, I first wanted to portray Kiruna with tied-up hair and having a long neck, to get that Ms.Universe feel, but I settled for windswept hair for a little dynamism.

As usual, agelessness is quite hard to perfect, more so with tricky lighting. I think I've managed to paint 'something off' about their faces, so I think it's ok. And I had to remember that they were calm and serene, even during battle.

Aes Sedai: Siuan Sanche

Finally I'm done! Say hello to Siuan Sanche, the Amyrlin Seat in the Wheel of Time: The Great Hunt. This is the scene where she visits Nynaeve al'Meara and Egwene al'Vere aboard the Tar Valon bound ship and teaches them a quick lesson.

I believe this is Robert Jordan's foreshadowing of Siuan's future. In that particular scene, she channels a sword made out of Air upon Nynaeve's remark that she's rather learn to use one. Siuan, while astounding the two girls by making the sword appear out of nowhere, further says that a sword is almost useless. She then turns it into a paring knife, saying that the knife was more useful. In the future, Siuan Sanche realizes she's more useful with her reduced status than before.

Siuan Sanche 

Silverpike!

Added some 'silverpike' earrings and completed the rest of the stole. Softened some shadows on her face and added some neck details. *sigh* I really need to learn speedpainting.

Sick with Siuan

Got a little sick literally, and by the time I've finished half her shoulder, my nose is already dripping wet. And I thought I've finally gotten all the time to finish her this vacation week. I was planning to do a little plant shopping tomorrow and work on the garden a little more, just in time for Easter. Ah well, let's see what happens tomorrow. Maybe I'll work on Siuan again tomorrow night.

Stretching with Siuan

It's been a while since I was able to post something and I guess it's time to stretch my little fingers a bit once more. I realized that all the characters I paint had something 'significant' happen to them, especially in the last book, and trust me, it's not something I expected in the first place.

Maybe my blog is the unofficial prophecy book!

Siuan Sanche

Obviously, it's Siuan! Siuan Sanche as we know her, was the previous Amyrlin Seat, here in all her ageless mystique. I really tried to achieve that ageless look, where a face makes you second, or triple-guess an age. Moiraine describes the look clearly in her narrative, as an estimation of a twenty year old face quickly causing one to second-guess it as a forty-year-old's.

I wanted to veer away from that Zooey Deschanel look people portray her in, and instead give her latin-inspired features. Her nationality was Tairen - Robert Jordan's version of Spain, or some other latin country. I based most of her features from Jennifer Connelly, with those thick, dark brows, making her eyes so intense. Siuan was described as having a strong face, and an intense blue stare.

Although the books say she didn't have concern over her clothes, I interpret it as 'having no care whether what she wears is beautiful or ugly'. So I added lace, partly because there's a small line in New Spring where she smiles in delight at Anaiya's lacey room, and also because it looks so appropriate to give off a hispanic feel.

I really do hope I can finish this one within the week. But at least I got most of the hard part down. Oh wait... what background?!

Egwene al'Vere

Finally, I'm done. Tweaked the colors once more as I found out they were too saturated. and also added some more elements like a falling 'raken', and the sa'angreal she used. I think I've done a little justice to Ms. Egwene al'Vere here.

Egwene al'Vere during the Seanchan Raid

Still got a lot to learn though! 

Egwene al'Vere Fan Art

Egwene al'Vere during the Seanchan Raid

Siuan Sanche Aes Sedai

Siuan Sanche Aes Sedai